Showing posts with label abstractimpressionism. Show all posts
Showing posts with label abstractimpressionism. Show all posts

Thursday, February 5, 2026

Hidden Hollow II

 

Hidden Hollow II

8" x 10" oil on board

Inquire by email

My work buddies and I had been planning a trip to my favorite cabin spot in Highland County for several months. The week before the trip, however, we were hit with with 8 inches of what's being called "snowcrete" and freezing temperatures unlike anything we've seen in quite a while. The owner of the cabin had to hire a skid steer to clear the road so that we could make it up to the house, and I still needed 4wd. Iceskating might have been possible in the yard if we had tried. We did play a few highly entertaining rounds of ice chunk bocci ball. It's so difficult for five adults with kids to find an open date that rescheduling was not an option. 

I went up a day early with one friend and the rest came the following day. Of course, I had to get some painting in while I was there, so I braved the ice and went in search of a good scene. The property is mountainous, but I was able to make it up a gradual incline to the top of the ridge by stepping on patches of blown snow to give me some grip and to avoid the ice. I made it to my hidden hollow, which I have painted before and set up. With the help of the bright sun and a few sips of bourbon, I never felt that cold, despite the 20 degree temperature. The paint was so thick and sticky because of the cold that a palette knife was my only option for painting. 

After finishing this painting, I sidestepped to the top of the ridge to try another one, which is where things got hairy. At one point, my bottle of painting medium got away from me and slid, along with one of my paint brushes, all the way to the bottom of Hidden Hollow (see photo from the bottom below).  I had no choice but to leave my gear and go down after it. I made it down and back up the massive hill relatively unscathed. However, I was tired and getting cold and not enjoying my new painting, so I decided to pack it up and head back to the fire. The hill/mountain on the opposite side of Hidden Hollow is even more steep and massive and looks out over the entire Bullpasture River Valley. I wanted to get a look before I hiked back and this is where the nearly fatal step occurred.

I took off like a sled on an ice luge and swiped for a lone tree branch that broke off and caused me to spin uncontrollably. I tried to get my feet in front of me, but I was ripping through patches of thorns that kept me spinning. If not for a massive patch of thorns that finally stopped me, I might have hit the rocks at the bottom of the hollow and who knows...my jacket was ripped, my body was bruised and covered in scrapes, my painting supplies were crushed and so was my pride. My left wrist still hurts. Most of all, I felt foolish for making such a dumb mistake. And to top things off, my bottle of single barrel Knob Creek was never recovered, despite much searching. I need adventure in my life, but I thought I was done with this type of story. I guess we all slip up from time to time. I promise I'll be more careful. 

This is the view from the bottom of the hill where I recovered my painting medium and brush.  The other side is steeper!




Tuesday, January 27, 2026

Cup of Tea, Etc.

 

Cup of Tea, Etc. 

8" x 8" oil on board

Inquire by email

I just wanted to paint and as usual, I couldn't find anything I wanted to paint. Luckily, Sarah had received a gift box from a work vendor with these exact items. At first, however, I painted only the cup, which I quickly realized was boring and not big enough to fill the board. The little gold stirring spoon was next - still too small for the board, so I threw in the leather-bound journal. The foreground was still too empty, so I added the pen, which was the most difficult item to paint. Then it seemed weird to have a mug and journal with no tea, so I brewed some tea and painted it in. Finally, I wondered if people would know that it was tea, so to clear that up, I added the tag from the tea bag. The tag also turned out to be a good indictor of the direction of light. A time-lapse video would have been interesting and a wonderful demonstration of how NOT to paint...

Here's the original, super-boring painting with just the cup and the spoon:



Monday, December 15, 2025

Dirty Palette Knives, Liquin Container and Paper Towel

 

Dirty Palette Knives, Liquin Container and Paper Towel 

6" x 6" oil on 3/4" gesso board

Inquire by email 

The irony of this painting is that I realized how much I needed those palette knives after I got started...

I was about to paint a boring, safe arrangement - an apple and a silver cup - when I saw my dirty palette knives and grimy container of Liquin (painting medium) sitting on a paper towel that I had used to clean brushes, lit by the cool winter light. I'm a sucker for an unarranged or unplanned still life, so I dropped the apple and silver cup.  

This was a tough subject - there is so much going on in that tiny scene. I always get sucked into thinking a painting is going to be easy, but I should know better by now. The more I learn about painting, the harder it gets. 

Saturday, September 27, 2025

Shed


6" x 6" oil on board

A little mysterious and loose and painted over another painting that had lived long enough. 

Thursday, July 3, 2025

Cattle Gate


Cattle Gate

12" x 16" oil on board

Inquire by email

Conditions went from bright sunshine to long periods of thick cumulus clouds and back to bright sunshine during the two or so hours I worked on this painting.  I think I started around 2pm...The blended lighting conditions might be noticeable if you look closely, which I'm pretty sure is some kind of plein air no-no.  But ya know what?  Don't care...

More and more, I prefer paintings that are not strait forward.  I want a little poetry, mystery and abstraction, and I actually get more of a response when I create that type of painting than I do for more realistic paintings. So I like this one - it's got a lot going on.